By Lina Das
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Thereâs a scene in Dolly Partonâs latest film, Joyful Noise, where she and Queen Latifah indulge in a girly catfight.
Faces are slapped, hair is pulled, until Dolly, her famously ample bosom heaving, attempts to call a truce.
âListen, I am who I am,â she tells Latifah.
Casting an eye over Dollyâs surgically-enhanced features, the curvaceous Latifah replies: âMaybe you were ⦠about five procedures ago!â At which point the catfight kicks off all over again.
Fighting fit: Dolly Parton with Queen Latifah in Joyful Noise
This is pure Dolly Parton: get the joke in before anyone else does, and look fabulous while youâre doing it.
âI didnât have a problem with that line about procedures,â she says. âIâve always admitted to having nips and tucks here and there, and I told the director: âLet her dig me deep, but let me get back at her too.â
âSo we included a line for Queen Latifah where I told her I had a good lipo doctor if she needed one.
It was tit for tat, if youâll pardon the expression,â she giggles. âBut Iâve been around a long time and Iâm pretty open about everything. I may as well make fun of myself before anyone else does.
How many other A-list stars could say the same thing? When Dolly worked with Burt Reynolds on the 1982 film The Best Little Whorehouse In Texas, she joked: âBurt and I have a lot in common: we both have 40-inch chests, we both wear heels and we both wear wigs!â â" a line which she admits m ade Reynolds âjust about ready to kill meâ.
But itâs that ability to laugh at herself â" and at others â" which only makes us love her even more.
Dolly looks fabulous for 66
And thereâs a lot to love about Dolly Parton, from that extraordinary singing/songwriting career â" which has produced hits such as Jolene and I Will Always Love You and led to eight Grammy Awards, two Oscar nominations and record sales of 174 million â" to her acute business savvy.
She owns record and TV companies, a cosmetics line, several restaurants and even the Tennessee-based theme park, Dollywood, which attracts around two million visitors a year â" all of which places her estimated net worth close to £650âmillion.
At 66 and after a few surgical procedures, she may not have the face she once did (âMy husband says: âWhy would I ever cheat on you? I get a new woman every three years!ââ) but she clearly still has the body â" a point not lost on the makers of the film Joyful Noise, who showcase it at every opportunity.
A kind of southern-style Glee, it tells the story of the Divinity Church Choir in recession-hit Pac ashau, Georgia, where the townspeople are counting on it to win the annual Joyful Noise Competition and raise the townâs flagging spirits.
But when choir- master Bernard Sparrow (Kris Kristofferson) dies, the directorship passes to Vi Rose Hill (Queen Latifah), who refuses to shake up the choirâs staid vocal style.
She is opposed by Bernardâs widow G.G. Sparrow (Parton), who is helped by her rebellious grandson Randy (Jeremy Jordan).
Dolly herself, in her first major role since Straight Talk with James Woods, is returning to the big screen after an absence of 20 years. Like most of her roles, Dolly essentially plays Dolly, making her possibly the only gospel singer in history to don a figure-hugging choir robe, five-inch heels and false nails.
Would she ever go all method-acting on us and put on 4âstones for a part? âI could easily put it on, but Iâd never be able to get it off again because I love my food so much,â s he says.
âBut to tell you the truth, Iâm not a great actress and I have to do a part thatâs close to me. I could probably be a better actress if I really dug deep and tore myself down, but Iâm more confident on screen when I can wear my high heels and my big hair. Iâd feel like I was naked otherwise.â
While filming the 1980 movie 9 To 5 with Jane Fonda and Lily Tomlin, the story goes that Dolly would arrive on set in full make-up, and then go straight into make-up.
âOh, I sure did,â she laughs. âBut I do that with any project Iâm working on. Anything could happen on the way to the studio â" I could get a ticket, I could get arrested â" so Iâve got to make sure my make-upâs on and my mugshot looks good. Iâd rather people say: âBoy, sheâs overdoneâ than âOh my God, look at that!â.â
As it turns out, 9 To 5 is making something of a comeback. In October, a stage show based on the film will come to the UK, beginning its run in Manchester before going on a nationwide tour. It follows on from the showâs Broadway run, which starred West Wing actress Allison Janney and Smashâs Megan Hilty as secretary Doralee Rhodes â" the part made famous by Dolly.
The story, about three working women who overthrow their sexist, autocratic boss, couldnât be more topical given these recession-fuelled times and the fact that bosses are now working their employees ever harder, safe in the knowledge that few can afford to quit their jobs.
âItâs perfect timing for the show,â says Dolly. âOne of the reasons the movie did so well was because we were going through a recession at the time, and I think whatever business youâre in, everyone can relate to having a boss or a co-worker whoâs mean and who they canât stand.â
Dolly, who wrote the music and lyrics for the stage show (including the hit title song), says: âIâve been more involved in the music side of the show, and was happy to re-write the songs for a British audience, but the producers wanted to keep things the same.
âI know that American humour is different to British humour, and that youâre a lot sharper and more cutting-edge, so I think theyâve tried to change some of the lines to suit that.â
Dolly was also involved in the actorsâ auditions for the UK run. âTheyâve almost finished casting, although I donât know yet whoâs playing who,â she says.
âIâll be very curious to see how the Doralee character turns out, and if they keep her as a Southern girl or change her into your British version of a country girl. But I imagine if sheâs not built up real good, theyâll give her a nice fake boob job!â
In the movie, the married Doralee spurns her bossâs advances, only for him to circulate a false rumour that theyâre having an affair.
Given Dollyâs extraordinary looks and the fact that when she embarked on her musical career as a wholesome 18-year-old in Nashville, country music was a wholly male-dominated industry, she must have encountered similar pockets of sexism along the way?
âWell, I did, but I was always a little stronger than Doralee,â she insists. âI grew up with six brothers and lots of uncles and cousins â" kind of chauvinist, redneck guys. But I loved men and knew how to deal with them, and I was never a victim.
Dolly Parton and Kenny Rogers topped the charts in 1983 with their cover of the BeeGees Islands in the Stream
âThatâs not to say I havenât been hit on a lot though,â she adds. âIâve been made to feel very uncomfortable in certain situations, and I got jumped on at times. But when it got down to brass tacks, Iâd say: âI think youâve taken me for a fool. If I go to bed with someone, itâs because I want to, not because I have toâ â" and Iâd leave it at that. Sure, Iâve lost jobs because of it, but I always knew I could find another one.â
Those who have underestimated Dolly have done so at their peril. She may have grown up âdirt poorâ in Tennessee, but her ability to write songs and sing from an early age not only helped her stand out among her 11 siblings, but also propelled her to worldwide fame.
One song, I Will Always Love You, had been earmarked by Elvis Presley, who wanted to record the tune. But when Dolly was asked by Presleyâs manager Colonel Tom Parker to hand over half the publishing rights, she refused. It was a decisio n later vindicated by the fact that Whitney Houstonâs 1992 rendition went on to become one of the biggest-selling songs of all time, earning Parton more than £4âmillion in royalties to date.
Houstonâs death in February â" the result of an accidental drowning complicated by the effects of heart disease and cocaine use â" came as a bitter shock to Dolly. âAlthough I did not know her personally, I always felt connected to her because of the song. When they played it at her funeral, it just shattered me.â
It has, in truth, not been a great year for Dolly. Her good friend Donna Summer also passed away this year from lung cancer, and Robin Gibb, who co-wrote Islands In The Stream, Dollyâs 1983 duet with Kenny Rogers, died just a few days later.
Robin was one of the sweetest people I ever knew,â says Dolly, âand Iâll always be sorry we never got to sing a duet together. I always wanted to, because we both have that kind of quivery sadness to our voices.
âIt makes you think of your own mortality .â.â. But when itâs your time, itâs your time, and hopefully Iâll go to a better place.â
If anything, though, such evidence of mortality has only spurred on Dollyâs work ethic, which was pretty ferocious to begin with.
âIâll never retire â" I donât even understand the meaning of the word,â she says. âI wouldnât stop working unless me or my husband get sick.â
A shrewd businesswoman, Dolly opened the Dollywood theme park in Pigeon Forge, Tennessee in 1992
Dollyâs husband, the enigmatic and rarely seen Carl Dean, has been by her side for the past 46 years. They met as Dolly arrived in Nashville to pursue her music career (outside the Wishy-Washy Laundromat no less) and have been together ever since.
To say that Dean, a former construction worker, maintains a low profile in the glare of his wifeâs publicity is an understatement.
âNo, he didnât come to the Joyful Noise premiere â"â" heâs too shy to be involved in all that,â she says. âWhen the movie came out in Nashville, though, he went to the cinema, bought a matinee ticket and watched it by himself.
âHe said to me, âI liked the movieâ, and I said, âWhat movie?â, and he went: âYour movie â" Joyful Noise!â, so that was real sweet. He goes to my theme park and stands in line for tickets, even though he has free passes. He just canât stand to be singled out.â
His low profile has led to rumours of Dollyâs supposed affairs with everyone from Burt Reynolds to Sylvester Stallone (her co-star in the 1984 film Rhinestone) and even to Judy Ogle, Dollyâs assistant and childhood friend.
âBut Carl knows Iâd never do anything to hurt him,â says Dolly, âand he doesnât get jealous if I have to kiss someone on screen. I get more embarrassed about it than he does.
âBut I am a flirt, and I do get younger men flirting with me too,â she giggles. âJeremy Jordan, who plays my grandson in the film, was flirting with me and they told him: âKnock it off â" sheâs your grandmother.â But it made me kind of happy, as youâre never too old to dream.â
She attributes the longevity of her marriage to âmutual respect, shared interests and the fact that I stay gone a long time!â â" but admits that ânot having children together, and not having money problems has probably helped.
âA lot of the pressures that cause couples trouble are just things we never had to go through.â
Dolly wrote a beautiful track for Joyful Noise, entitled From Here To The Moon And Back, which she sings on screen as a tribute to her recently-departed husband, played by Kris Kristofferson.
âBut I absolutely wrote it for Carl, and I got really emotional writing it because I had to imagine what life would be like without him,â she says, her voice faltering for the first time during the interview. âI couldnât even think about what that would be like. I just couldnât bear it.â
Chances are that Mr Dean wonât be accompanying his wife to the UK when she helps launch the 9 To 5 musical, but Dolly herself is more than excited about returning to Britain, given the affinity she has for the UK.
Her father, an illiterate farm worker, was of English-Scottish ancestry, âand Iâve always felt a real bond with the British people. They were devoted to me and my music even when other people werenât, and I love the audiences because theyâre so warm and welcoming.
âIâve been coming to Britain for so long â" Iâve been around as long as your Queen Elizabeth,â she says, before adding â" in inimitable Dolly fashion â" âAnd unfortunately for me, Iâm talking about the first one!â
Joyful Noise, starring Dolly Parton and Queen Latifah, goes on UK general release on Friday June 29.
Why Julie's stuck in the shadow of the she-devil
She appears in BBC3âs Dead Boss comedy series as a convicted psychopath, with the threat: âIâll Kill Againâ tattooed across her forehead.
Itâs as if time has stood still for Julie T. Wallace, pictured.
More than 25 years ago, she made her TV debut as a vengeful wife with supernatural powers in Fay Weldonâs The Life And Loves Of A She Devil â" and here she is again, doing much the same thing.
But this is a tiny part which will attract a fraction of the 18âmillion audience who saw her become the biggest name on British TV in 1986 and get a BAFTA nomination.
Julie T. Wallace plays a pyschopath in new BBC3 comedy Dead Boss
Julie maintains her cult status, however. Sharon Horgan, who has co-written and stars in Dead Boss, couldnât believe her luck when Julie agreed to play the toughest prisoner in the fictional Broadmarsh jail.
âWe were thrilled to get her even though itâs a small part, because she became such a huge, cultural icon through She Devil,â she says .
In fact, Julie, 51, hasnât done much acting for some time. Her last regular TV role was in the Reeves and Mortimer comedy Catterick in 2004, since when she has appeared in Casualty, Hotel Babylon and Channel 4âs Bremner, Bird And Fortune.
And in the 2008 movie Speed Driver she played a muscular trucker. So what went wrong?
Julie says: âI made some wrong decisions about parts I turned down. And while I donât regret the work I have done, I wasnât happy as Mrs Avery in Last Of The Summer Wine. The cast and crew were great â" the director wasnât.
âIâd love to bury She Devil and be in EastEnders, Emmerdale or Coronation Street and have tried to get parts in them. But Iâm told Iâm still too famous for She Devil. I wonât stop knocking on their doors though!â
Dead Boss is on BBC3 on Thursdays at 10.30pm.
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